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1966
Un homme et une femme
Directed by Claude Lelouch
Synopsis
See it with someone you love!
A man and a woman meet by accident on a Sunday evening at their childrens' boarding school. Slowly, they reveal themselves to each other, finding that each is a widow.
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- Cast
- Crew
- Details
- Genres
- Releases
Cast
Anouk Aimée Jean-Louis Trintignant Pierre Barouh Valérie Lagrange Antoine Sire Souad Amidou Henri Chemin Yane Barry Paul Le Person Simone Paris Gérard Sire Gérard Larrousse Clive Roberts Jean Collomb
DirectorDirector
Claude Lelouch
ProducersProducers
Claude Lelouch Roger Fleytoux
WritersWriters
Claude Lelouch Pierre Uytterhoeven
EditorsEditors
Claude Barrois Claude Lelouch
CinematographyCinematography
Claude Lelouch
Assistant DirectorAsst. Director
Claude Gorsky
LightingLighting
Jean Collomb Patrice Pouget
Additional PhotographyAdd. Photography
Daniel Lacambre
Production DesignProduction Design
Robert Luchaire
Special EffectsSpecial Effects
Jean Beylieu
ComposerComposer
Francis Lai
SongsSongs
Pierre Barouh Nicole Croisille
SoundSound
Jean Baronnet Michel Fano
Costume DesignCostume Design
Richard Marvil
HairstylingHairstyling
Jacques Cousty Denise Lemoigne
Studio
Les Films 13
Country
France
Language
French
Alternative Titles
Мужчина и женщина, 男欢女爱, 男与女, Mies ja nainen, 남과 여, Vīrietis un sieviete, 男と女, Un uomo, una donna, Ein Mann und eine Frau, Egy férfi és egy nő, 一个男人和一个女人, Un hombre y una mujer, Um Homem, Uma Mulher, גבר ואישה, Един мъж и една жена, Bir Erkek ve Bir Kadın, Kobieta i mężczyzna, Muž a žena, Vyras ir moteris, 男歡女愛, Чоловік і жінка, یک مرد و یک زن, En man och en kvinna
Genres
Drama Romance
Themes
Humanity and the world around us Captivating relationships and charming romance Passion and romance Charming romances and delightful chemistry Powerful poetic and passionate drama Adrenaline-fueled action and fast cars Show All…
Releases by Date
- Date
- Country
Premiere
10 May 1966
- FranceCannes FilmFestival
30 Jul 1966
- SwitzerlandLocarno FilmFestival
20 Apr 1998
- SingaporeSingapore International FilmFestival
14 May 2016
- France(digitally restored version) (Cannes Film Festival)
15 Oct 2016
- USA(digitally restored version) (Chicago International FilmFestival)
Theatrical limited
09 Dec 1966
- Spain
12 Dec 1966
- Spain
27 Jan 1967
- Spain
Theatrical
27 May 1966
- FranceU
- Hong Kong
02 Jun 1966
- Belgium
12 Jul 1966
- USA
23 Aug 1966
- Sweden
01 Sep 1966
- Australia
02 Sep 1966
- Finland
15 Sep 1966
- Italy
15 Oct 1966
- Japan
25 Oct 1966
- Germany
13 Dec 1966
- Denmark
15 Jan 1967
- UK
09 Feb 1967
- Portugal
16 Mar 1967
- Mexico
26 Mar 1967
- Colombia
17 Apr 1967
- Brazil
01 Jun 1967
- Uruguay
01 Sep 1967
- Czechia
01 Jan 1968
- USSR
22 Feb 1968
- Hungary
23 Feb 1968
- Ireland
10 May 1968
- Germany
23 Nov 1968
- Argentina
01 Mar 1969
- Turkey
13 Feb 1976
- Finland
03 Oct 1979
- South Korea15
06 Aug 2009
- Greece
08 Jul 2016
- Israel
22 May 2019
- France
02 Jul 2020
- Netherlands
Physical
01 Jan 2000
- Brazil14
TV
13 Oct 1984
- Spain
Releases by Country
- Date
- Country
Argentina
23 Nov 1968
- Theatrical
Australia
01 Sep 1966
- Theatrical
Belgium
02 Jun 1966
- Theatrical
Brazil
17 Apr 1967
- Theatrical
01 Jan 2000
- Physical14Capa doDVD
Colombia
26 Mar 1967
- Theatrical
Czechia
01 Sep 1967
- Theatrical
Denmark
13 Dec 1966
- Theatrical
Finland
02 Sep 1966
- Theatrical
13 Feb 1976
- Theatricalre-release
France
10 May 1966
- PremiereCannes FilmFestival
27 May 1966
- TheatricalU
14 May 2016
- Premiere(digitally restored version) (Cannes FilmFestival)
22 May 2019
- Theatrical(re-release) (restoredversion)
Germany
25 Oct 1966
- TheatricalWestGermany
10 May 1968
- TheatricalEastGermany
Greece
06 Aug 2009
- Theatricalre-release
Hong Kong
27 May 1966
- Theatrical
Hungary
22 Feb 1968
- Theatrical
Ireland
23 Feb 1968
- Theatrical
Israel
08 Jul 2016
- Theatrical(digitally restored version) (Jerusalem FilmFestival)
Italy
15 Sep 1966
- Theatrical
Japan
15 Oct 1966
- Theatrical
Mexico
16 Mar 1967
- Theatrical
Netherlands
02 Jul 2020
- Theatricaldigitally restoredversion
Portugal
09 Feb 1967
- Theatrical
Singapore
20 Apr 1998
- PremiereSingapore International FilmFestival
South Korea
03 Oct 1979
- Theatrical15
Spain
09 Dec 1966
- Theatrical limitedMadrid
12 Dec 1966
- Theatrical limitedBarcelona
27 Jan 1967
- Theatrical limitedSevilla
13 Oct 1984
- TV
Sweden
23 Aug 1966
- Theatrical
Switzerland
30 Jul 1966
- PremiereLocarno FilmFestival
Turkey
01 Mar 1969
- Theatrical
UK
15 Jan 1967
- Theatrical
USA
12 Jul 1966
- Theatrical
15 Oct 2016
- Premiere(digitally restored version) (Chicago International FilmFestival)
USSR
01 Jan 1968
- Theatrical
Uruguay
01 Jun 1967
- Theatrical
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Popular reviews
More-
Review by Cam Soutter ★★★★★ 4
French cinema is truly one of humanity's greatest gifts to the world
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Review by KYK 1
Woman sends a "U Up?" telegram and man drives 3,000 miles to have sex.
No but actually... I'm FUCKING WRECKED AFTER THIS MOVIE. Good night.
-
Review by theriverjordan ★★★★ 26
Claude Lelouch takes the Nouvelle Vague on a road trip through the existential with “A Man and a Woman.”
While the midcentury French auteurs loved to film doomed protagonists driving around in their often equally ill-fated automobiles, Lelouch went one farther and placed his lens of examination inside the head of the person behind the car’s wheel. “A Man” depicts the melancholic romance between a racecar driver and a script girl. The two share tragic pasts in their respective deceased spouses; the sorrowful set of a widow and a widower.
Lelouch uses varying film stocks and colorings to depict the phases in the lives of each lover leading up to their mutual encounter. The past is full of color and…
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Review by Mousa ;) ★★★½
Only French films can make a simple
love story so interesting and beautiful
forever listening to the soundtrack. -
Review by Rafael "Parker!!" Jovine ★★½
Another film for which my review rating shifts depending on my specific criticism. Story-wise, I found it tedious and draining, as well as very pretentious and muddled.
Yet the way it's told, with the cinematography and shifting tones of the visual, the score, and even the performances, makes you feel like you're stuck in a dream that the characters, and you, are unable or don't want to break free of. This is all top-notch, but unfortunately, the length of the film means that even this becomes tedious after a while.
All in all, an interestingly told romantic movie that sadly could have used a bit of less class and experimental and more energy.
TODAY SCHEDULE
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A Man and a Woman
A Man Called Otto -
Review by nora ★★★★½ 1
god this is so fucking tender i am dead. just completely lovely. anouk aimée and jean-louis trintignant have this quiet, easy chemistry with each other, meaning that the scenes where they are falling in love are so light and simple, and conversely it makes the sad moments sting all the more. i love how monochromatic film (both black & white and sepia) and those moments that trintignant speaks in voiceover in a low, almost-whisper tone signal moments of intense intimacy. i could listen to anouk aimée and jean-louis trintignant talk quietly to each other while claude lelouch follows that man and his dog on the beach over and over, it's all beautiful.
also thinking about how trintignant drove his car way too fast irl too so i very much believe him as a racecar driver (& oh my god double feature this with BOBBY DEERFIELD to cry for a week)
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Review by Zeynep ★★★★½
the sexual tension between me and this movie
-
Review by Adam ★★★★½
The classiest, calmest love story I’ve ever seen. Listen—I love a good romantic comedy, but you always know what’ll happen. And you always dread the tears and yelling with ten minutes to go and a super quick reunion that’s a bit lazy. This film makes a “breakup” so unbelievably classy. There are no dramatic expressions of love. There is tons of passion but nothing over the top. There are tons of montages but they aren’t of cheesy romantic activities. Lelouch captures the simplest acts of love and sets them to Francis Lai’s jazzy, romantic score. The most “lovey” thing that is said in this movie isn’t even said. It’s put through a telegram. Crazy levels of restraint there.
It’s also one of the most visually appealing movies I’ve seen in a while. Flipping between colour, black and white, and sepia is surprisingly effective. Lovely work all the way around. And Anouk Aimée is gorgeous. Had to add that!
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Review by Sam Meltzer ★★★
I desperately wanted to love this. It seemed like a staggeringly beautiful and unique depiction of romance boosted by wonderful performances that are filled with tension. And… in some ways it is. The film highly excels in its mellow and unpretentious tone. The love story is simple and not exactly unpredictable with its outcome but the film knows that and simply tries to piece together realism with artistic filmmaking. Anouk Aimée is incredibly striking in her looks which gives her a sense of command when on screen. The emphasis on her hand and hair movements along with her distinctive, gorgeous eyes is compelling.
I do think that the film’s daring and artistic style can work aesthetically yet it becomes evident…
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Review by phoebe 💫 ★★★★½ 4
AAAAAAAAAAAAAAAAH!!! yes yes yes!! merci beaucoup monsieur lelouch mwah mwah
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Review by chuzen ★★★★ 2
she wired, 'i love you.'
not the best film featuring anouk aimee, but simplythe most beautiful. it's even the banner of my twitter profile, as well as the ending of endings (spoiler alert)
aimee was in two films i hold most beloved (the other beingfestival in cannes), and these are the only films i'll watch today, on repeat.
alas, this is my humble way of wiring i love youto anouk aimee.
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Review by sakana1 ★★★½ 4
The quiet, tentative first half of A Man and a Woman is extraordinary, in both its simplicity and its power. So much of what is built between the title characters (Anouk Aimée as Anne Gauthier and Jean-Louis Trintignant as Jean-Louis Duroc) is done in silence, with threads of connection established through stolen glances and private thoughts. The way that Trintignant looks at people is one of secret weapons as an actor, and just watching Jean-Louis gaze, unblinking, at Anne while the two are at lunch with their children feels like magic. Similarly, Aimée is so breathtakingly beautiful that every reminder of her warm humanity holds extra power. So, Anne doesn't need to speak, all she needs to do is give…
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